In other words, acting should be an fraud that teaches an actor how to consciously produce natural act; it must teach the actor how to awaken consciously her subconscious mind creative self for its superconscious organic creativeness, and how to consciously perform work on that is usually subconsciously expressed as a import of conscious thought. He discovered that in that respect is no cozy experience without outer physical expression, plainly if an actor on stage performs only physical actions, this violates the psycho-physical trade union and her performance is machinelike and dead. Therefore Stanislavski protested against mechanical acting, exploitation of art, bathos, the art of rep...If you want to withdraw a full essay, order it on our website: BestEssayCheap.com
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